About the Book Inspiring, revealing, and deeply relatable, Being a Ballerina is a firsthand look at the realities of life as a professional ballet dancer. Through episodes from her own career, Gavin Larsen describes the forces that drive a person to study dance; the daily balance that dancers navigate between hardship and joy; and the dancers continual quest to discover who they are as a person and as an artist. Starting with her arrival as a young beginner at a class too advanced for her, Larsen tells how the embarrassing mistake ended up helping her learn quickly and advance rapidly. In other stories of her early teachers, training, and auditions, she explains how she gradually came to understand and achieve what she and her body were capable of. Larsen then re-creates scenes from her experiences in dance companies, from unglamorous roles to exhilarating performances. Working as a ballerina was shocking and scary at first, she says, recalling unexpected injuries, leaps of faith, and her constant struggle to operate at the level she wanted--but full of enormously rewarding moments. Larsen also reflects candidly on her difficult decision to retire at age 35-- Book Synopsis Finalist, the Arts Club of Washington Marfield Prize A look inside a dancers world Inspiring, revealing, and deeply relatable, Being a Ballerina is a firsthand look at the realities of life as a professional ballet dancer. Through episodes from her own career, Gavin Larsen describes the forces that drive a person to study dance; the daily balance that dancers navigate between hardship and joy; and the dancers continual quest to discover who they are as a person and as an artist. Starting with her arrival as a young beginner at a class too advanced for her, Larsen tells how the embarrassing mistake ended up helping her learn quickly and advance rapidly. In other stories of her early teachers, training, and auditions, she explains how she gradually came to understand and achieve what she and her body were capable of. Larsen then re-creates scenes from her experiences in dance companies, from unglamorous roles to exhilarating performances. Working as a ballerina was shocking and scary at first, she says, recalling unexpected injuries, leaps of faith, and her constant struggle to operate at the level she wanted--but full of enormously rewarding moments. Larsen also reflects candidly on her difficult decision to retire at age 35. An ideal read for aspiring dancers, Larsens memoir will also delight experienced dance professionals and fascinate anyone who wonders what it takes to live a life dedicated to the perfection of the art form. Review Quotes A luminous new memoir. . . . Poignant . . . Both a personal account and a universal take on the life of a professional ballet dancer.-- New York Times A personal chronicle of a professional dancing life that is as accessible as it is engaging.-- Christian Science Monitor Larsens memoir oftentimes reads more like a novel than an autobiography. . . . Interstitial chapters walking through an average day in the life of a professional dancer go a step further, dropping the reader . . . directly into the everyday agonies and ecstasies of a life in dance.-- Dance Magazine Excellent. . . . [Larsens] story is all the more engrossing for its vivid portrayal of the everyday ballerina, making it relevant and resonant for a multitude of dancers who aspire to a professional dancing life. As she documents the discipline, dedication, and sheer stamina that life in the ballet world requires, she traces a journey of transforming craft into art.-- Pointe Magazine A lovely debut thats relatable, engaging, and unafraid to show vulnerability. A thorough, evocative, and deeply reverent remembrance.-- Kirkus Reviews Warm, insightful and enjoyable to read, Being a Ballerina helps cast the life of a professional ballet dancer in a new light.-- Dancing Times Being a Ballerina floats along like a lovely adagio solo; we both feel a dancers constant pain and share the magical soar of a perfect lift. Reading it is a reminder that words can dance too.-- Seattle Times One has to be grateful to Larsen for taking the time to write so well about the thoughts and the emotions that she revealed--and passing on the art form and those experiences to the next generation of ballet students and professional dancers.--Mark Kappel, NewsNotes Dance Blog A lush memoir that spans Larsens 18-year career. . . . Its a vivid insiders perspective on the rigors of professional ballet, as well as what a dancers life is like beyond the footlights.-- Oregonian A memoir to sweep you off your feet. . . . Vividly engaging. . . . A pleasure to read not just for the backstage stories it tells but also for the line-by-line, sentence-by-sentence reward of [Larsens] way with words. Like a good dance, its swift, taut, and abundant.-- Oregon ArtsWatch Revealing and relatable, Being a Ballerina is one of the most readable dance books Ive picked up for a long time.--David Mead, Seeing Dance It is a vulnerable window into the inner life of a ballerina, and a true story of longevity and endurance. -- Dance Teacher Few if any books have ever taken us so acutely into multiple facets of the dancers art. . . . Its an important addition to the dance bookshelf - and an important, sensitive, intelligent case study in ballet as psychological odyssey.-- Alastair Macaulay, former chief dance critic, New York Times There is power and perfection in this captivating memoir--the power of personal experience and the perfection of writing that carefully captures the life of a dancer. Larsen, now retired, was principal dancer with the Oregon Ballet and guest artist with Ballet Victoria; she also danced with Alberta Ballet and Suzanne Farrell Ballet. Before describing her many positions, however, Larsen starts with an account of her first class at the New York School of Ballet at age eight. She covers the years of study required for every dancer, and along the way introduces readers to memorable teachers and dancers and discusses the roles she inhabited and companies she worked for as a professional dancer. Appended to the memoir are essays on pointe shoes and how to dance with a partner, along with a list of places she has performed. VERDICT: Dancing full out means going all out during practice rather than saving energy for the performance. In this memoir Larsen is writing full out, and we are the lucky audience of her performance. Balletomanes, dance students, and aspiring dancers will applaud this absorbing account.-- Library Journal, Starred Review