About the Book A colourful illustrated catalogue for Glasgow Lifes 2024 Discovering Degas Exhibition, highlighting items by Edgar Degas in The Burrell Collection. Book Synopsis A beautifully illustrated study of the works by Edgar Degas in the Burrell Collection, Glasgow. In 1874 the first Impressionist exhibition opened in Paris, shocking the art world with a radical new style of painting. Capturing contemporary subjects and everyday life, the Impressionist artists were fascinated by the way light, colour and shape constantly change. But frequent rejection by the Paris Salon jury led some, including Edgar Degas, to look to Britain for a more receptive audience. This richly illustrated book explores the influence of London-based dealers such as Ernest Gambart and Charles Deschamps, and Glasgow-based dealer Alex Reid, who saw the market for French art in Britain, encouraging an early following among British collectors for artists such as Monet, Pissarro, Manet and Degas. William Burrells first opportunity to see Degass work on public display in Scotland was at the 1888 International Exhibition in Glasgow. Over a 40-year period Burrell collected more than 20 of Degass works, far more than any other UK collector, before he and his wife Constance donated their entire collection to the City of Glasgow. This book accompanies a major exhibition at the Burrell Collection, in which all of Burrells Degas pictures are displayed together for the first time, along with important works from national and international collections. Detailed catalogue entries look at the artists talent for capturing subjects such as the ballet, racehorses, and women bathing and dressing, giving a greater insight into why British collectors in the late nineteenth and early twentieth centuries purchased these enduringly appealing works. This is also an important opportunity to understand Degas in his entirety, both as a brilliant artist and as a man whose opinions and ideas would not go unchallenged today. About the Author Professor Frances Fowle is Chair of Nineteenth-Century Art, University of Edinburgh, UK and Senior Curator, National Galleries of Scotland, UK. She is a co-founder and board member at TIAMSA. Her previous publications include Van Goghs Twin: The Scottish Art Dealer Alexander Reid (2010) and Globalising Impressionism: Reception, Translation and Transnationalism (2020). Dr Martin Bellamy is the Research and Curatorial Manager at Glasgow Life Museums and was part of the team that redeveloped the award-winning Burrell Collection museum. He is the co-author of William Burrell: A Collectors Life (2022). Pippa Stephenson-Sit is Curator of European Art, Glasgow Life Museums. Her research interests span the astonishing breadth of the Museums European fine art collection, including Spanish sixteenth-century portraiture, French nineteenth-century painting and sculpture, and the work of Salvador Dal. She is the author of Introducing Auguste Rodin (2022). Also with contributions from Dr Yupin Chung, Curator of East Asian Art, Glasgow Life; and Vivien Hamilton, Research Manager (Art) for Glasgow Life Museums.