The song "Keep on Tryin'" from kicks off this two-fer of albums (released in 1975 and 1976) and is a reasonable metaphor for the band's continued desire to break into the mainstream and enlarge what had been an appreciative but somewhat minor cult following. The quartet also relocated from the label which had been home since their 1970 debut, to (later ). With the business change came a burst of creativity, as the strong voices and songwriting skills of the - creative nucleus dovetailed for a terrific set, shifting to a slightly more pop vein, while remaining firmly ensconced in the country, folk, and even bluegrass roots of their previous output. A cover of the rare / composition "Dallas" (available only as a single before 's full-length debut but not included on it) is an inspired choice. blossomed as a songwriter with "Let Me Turn Back to You," a warm-up of sorts for "Heart of the Night," the track that three years later would ultimately provide the crossover hit they were searching for. The vocal harmonies are as good as anything had going, and the strings which enhance "Down in the Quarter" find the foursome expanding their horizon with a fuller approach, as evidenced on the similarly orchestrated title track to "Rose of Cimarron" a year later. That classic, with its swelling strings and instantly memorable melody, remains a landmark in 's and even country-rock's history, but the album it comes from is also a strong entry into the band's catalog. Perhaps the other songs were overshadowed by "Rose of Cimarron"'s popularity, but a return to their bluegrass sound on 's "Slowpoke," featuring 's fiddle and 's banjo, proved that for all their stabs at a slicker style, they remained true to their original influences. 's road-weary "Too Many Nights Too Long" is another stand-out performance worthy of more popularity in 's bulging catalog, and 's surprising alto sax break on "Starin' at the Sky" nicely foreshadows the instrument's prominent solo on "Heart of the Night" a year later. 's "All Alone Together" also hearkens back to 's country beginnings and, along with "Tulsa Turnaround," closes the album on an appropriately rootsy note. Liner notes for this reissue frustratingly spend more time on the group's extensive history than focusing in on just these two releases, but the remastered audio is sharp and clean, and with 21 songs squeezed onto a single disc, this provides a real bang for your buck ~ Hal Horowitz