Although initially considered a contractually obligated release, when (1976) was upgraded in 1995 as part of 's (piano/vocals) "Classic Years" catalog overhaul, it became the most definitive live document to date of his immortal '70s quintet that featured the pianist backed by (guitar/backing vocals), (bass/backing vocals), (drums), and (percussion). What was originally a single vinyl long-player was expanded to nearly two hours and 20 minutes, spread over two CDs. The "Here" show was recorded at an Invalid Children's Aid Society Benefit at in London on May 18, 1974. begins with a pair of early solo numbers before being joined by the band for inspired readings of hits such as the rousing and as well as the equally integral deep cuts and a very special version of the -- featuring a rare duet with the song's author and original co-vocalist (vocals). Another real treat is the funky and loose rendering of with some interesting interaction between . Six months later and company hit in New York City for a series of shows over Thanksgiving weekend. In acknowledgement of a wager set forth between that stated, if the duo's single from 's (1974) album topped the singles chart, would join on-stage for a few numbers. Needless to say the song bound to the number one position, and the stage was literally set for the very first live appearance from in two years -- which would ironically and tragically likewise be the last he would ever give. Immediately differentiating the "There" show is the comparatively massive audience. This show is as much about spectacle (1974 style) as it is about music. Not that the music suffers in the least. Although 's voice has sounded better, the band are in top form as they rant and rave through the blistering opener. Among the surprises are the romping live versions of However, the unmitigated highlight is 's surprise three-song guest shot. Both legends perform their latest singles -- for it is the aforementioned and for it is the non-LP cover of -- both of which are quite powerful in terms of sheer vibe. Their finale of is ragged-but-right with cleverly quoting during the bridge from the verse to the chorus. While the remainder of the set hold its own, it pales in the wake of the preceding momentous performance. This should be considered essential listening for enthusiasts as well as curious music historians. ~ Lindsay Planer