Book Synopsis The hidden life of the greatest surviving work of Inca art The most celebrated Andean artwork in the world is a five-hundred-year-old Inca tunic made famous through theories about the meanings of its intricate designs, including attempts to read them as a long-lost writing system. But very little is really known about it. The Royal Inca Tunic reconstructs the history of this enigmatic object, presenting significant new findings about its manufacture and symbolism in Inca visual culture. Andrew James Hamilton draws on meticulous physical examinations of the garment conducted over a decade, wide-ranging studies of colonial Peruvian manuscripts, and groundbreaking research into the tunics provenance. He methodically builds a case for the textile having been woven by two women who belonged to the very highest echelon of Inca artists for the last emperor of the Inca Empire on the eve of the Spanish invasion in 1532. Hamilton reveals for the first time that this imperial vestment remains unfinished and has suffered massive dye fading that transforms its appearance today, and he proposes a bold new conception of what this radiant masterpiece originally looked like. Featuring stunning photography of the tunic and Hamiltons own beautiful illustrations, The Royal Inca Tunic demonstrates why this object holds an important place in the canon of art history as a deft creation by Indigenous women artists, a reminder of the horrors of colonialism, and an emblem of contemporary Andean identity. Review Quotes As thrilling as a murder mystery, a visual feast that kept me engaged till the last page. . . . Hamilton has provided an example of how thrilling art history and archaeological writing can be. ---Bill Sillar, 21: Inquiries into Art, History, and the Visual Andrew James Hamilton carries out a meticulous examination of the 500-year old imperial tunic, considered the most celebrated Andean artwork in the world, putting the case for its creation by two female artists on the eve of the devastating Spanish invasion. ---Jacqueline Riding, The Art Newspaper About the Author Andrew James Hamilton is associate curator of Arts of the Americas at the Art Institute of Chicago and a lecturer in the Department of Art History at the University of Chicago. He is the author and illustrator of Scale & the Incas (Princeton).