About the Book Should a writer work in a former colonial language or in a vernacular? The language question was one of the great intractable problems that haunted postcolonial literatures in the twentieth century. But instead of asking whether language matters, The Tongue-Tied Imagination explores how the language question itself came to matter--Provided by publisher. Book Synopsis Should a writer work in a former colonial language or in a vernacular? The language question was one of the great intractable problems that haunted postcolonial literatures in the twentieth century. But instead of asking whether language matters, The Tongue-Tied Imagination explores how the language question itself came to matter. Focusing on Senegal, Warner draws on extensive archival research and an understudied corpus of novels, poetry, and films in both French and Wolof, as well as educational projects and popular periodicals. In tracing the politics of language from colonization through independence to the era of neoliberal development, Warner reveals language debates as a site from which to rethink the terms of world literature and chart a renewed practice of literary comparison. From the Back Cover Winner, 2021 African Literature Association First Book Award Intellectually capacious and calmly magisterial, this remarkable book uses the case of French and Wolof in Senegal to remake ideas about literature and translation. This exquisite book will be read for decades to come--a decisive intervention from Africa into debates on world literature.--Isabel Hofmeyr, New York University Warners groundbreaking book is a patient, thorough, and always clear and elegant examination of the way the language question haunts the production of Senegals literary tradition. At the same time, it poses in new terms the question of literature and of world literature.--Souleymane Bachir Diagne, Columbia University Should a writer work in a former colonial language or in a vernacular? The language question was one of the great, intractable problems that haunted postcolonial literatures in the twentieth century, but it has since acquired a reputation as a dead end for narrow nationalism. This book returns to the language question from a fresh perspective. Instead of asking whether language matters, The Tongue-Tied Imagination explores how the language question itself came to matter. Focusing on the case of Senegal, Warner investigates the intersection of French and Wolof. Drawing on extensive archival research and an under-studied corpus of novels, poetry, and films in both languages, as well as educational projects and popular periodicals, the book traces the emergence of a politics of language from colonization into the early independence decades and through to the era of neoliberal development. Refusing to see the turn to vernacular languages only as a form of nativism, The Tongue-Tied Imagination argues that the language question opens up a fundamental struggle over the nature and limits of literature itself. Warner reveals how language debates tend to pull in two directions: first, they weave vernacular traditions into the normative patterns of world literature; but second, they create space to imagine how literary culture might be configured otherwise. Drawing on these insights, Warner brilliantly rethinks the terms of world literature and charts a renewed practice of literary comparison. Tobias Warner is Assistant Professor of French and Francophone Studies at the University of California, Davis. Review Quotes Intellectually capacious and calmly magisterial, this remarkable book uses the case of French and Wolof in Senegal to remake ideas about literature and translation. This exquisite book will be read for decades to come--a decisive intervention from Africa into debates on world literature. ---Isabel Hofmeyr, New York University Warners groundbreaking book is a patient, thorough, and always clear and elegant examination of the way the language question haunts the production of Senegals literary tradition. At the same time, it poses in new terms the question of literature and of world literature. ---Souleymane Bachir Diagne, Columbia University ...Warner amply demonstrates the fundamental need for scholarly and imaginative critical reflection on multilingualism (beyond European languages) as an integral element of world literary studies... This is a hugely useful and readable book which should find its place on many undergraduate and postgraduate course reading lists in African, French, world and comparative literatures.-- Bulletin of Francophone Postcolonial Studies In this comprehensive review of arguments regarding the authenticity of literature written in Wolof (the vernacular language of Senegal, Gambia, and Mauritania) or in French (the language of the former colonizers), Warner reframes the debate and poses an age-old--and critical--question about audience. For whom and to whom is writing addressed, and for what purpose?... Recommended.-- Choice Tobias Warner has written an elegant and masterful book that goes a long way towards realizing the goal of its subtitle... As a major intervention on decolonizing world literature, this excellent book deserves a wide audience.-- French Studies Warners use of a vast array of theoretical tools reveals him to be a jack-of-all-trades, master of all. His archival research is solid and he has a strong grasp and sense of history as well a real sensitivity to text. On the surface, his written style seems simple and elegant, but, in fact, he has a gift for expressing complex concepts clearly without being reductionist. Finally, Warner brings into his discussions so many aspects of Senegalese literature and its background that his book will be an indispensable reference for many years to come.-- Journal of the African Literature Association About the Author Tobias Warner is Assistant Professor of French and Francophone Studies at the University of California, Davis.